Jeff Soan – Wooden Creatures

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I couldn’t make it to see wood sculptor Jeff Soan’s latest exhibitions, and so he very kindly sent me this little fish, to give me more of an idea of how his work moves in the flesh. As he said, it is “part of the pleasure”.

I know that I am always getting very excitable about the work that I feature here – that’s not only because I only choose to write about things that do genuinely interest me, but also because these really are, in my opinion, something very special.

Made from ash, this little fish sits lightly in my palm, and with each movement of my hand, it bends and moves as if it is alive. Each little cut into the wood is so precise, the design so perfect and true. The finish is truly lovely, a mix of scarred and darkened wood, bright shimmering greens and polished amber hues.

Jeff says that he prefers to use spray paint to decorate these fish – applied through, of all things, fishnet tights – a happy discovery one day when looking for a perfect way to mimic the texture of fish scales.

He follows the arrangement of the annual rings in the wood, finding beautiful curves and circles which form part of the design.

“I go with the wood, I want to enhance what it is saying already”

Patterns and natural forms are then brought to life by tried and tested combinations of torching, digging in, spraying and sanding, until the desired effects are reached. Torching the wood not only gives a beautiful dark sheen, but lends the piece an extra special sensory value, as it smells so beautifully of wood smoke! Jeff also says that as the wood is torched, it naturally forms into scales, the pattern deepens in.

This little fish sparkles like real scales do, in the light.

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By cutting the wood into narrow sections, and securing it to canvas, Jeff enables the most amazing movement into his creatures.

These beautiful seals, one of his most popular creations, will curl and move to your touch, gazing up at you in such a soft eyed, lifelike way that it’s almost unnerving!

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I have to smile a little that this Border Terrier is made of Douglas Fir. Jeff has made crocodiles from this wood too, as he likes the “reptilian texture”. Hammered, scraped and gouged, it certainly gives a pleasingly furry impression to this little dog, with a really “muzzley” muzzle. (Yes I made up that word.)

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“I love O-Matic’s!”, says Jeff, describing this dear little automata. It puts me in mind of some of the inventions finding their way out of Wallace and Gromit’s workshop. He cites Heath Robinson, “..although my mechanisms are rather the opposite of complex.”

As you move the handle, the dog moves and wiggles, wagging its tail. It was, as Jeff describes, “a bit of a disaster really.. I am rubbish at automata”. But I think that its clunky nature and slight aura of embarrassment is totally part of the charm.

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Jeff prefers to work with reclaimed wood. He tries to use every part of it, so that for example, he says “the offcut portion of a fishes tail may form the breast of a bird.”  He says that he particularly enjoys working with partially rotted wood, which, once microwaved and cleaned to stop the rot and remove any hidden residents, gives way to wonderful naturally formed raised areas, textures, and colours.

He rarely uses traditional tools, preferring to make use of many usual and unusual implements in his self titled pursuit of “wood butchery”. Rotary carving tools, blowtorches, wire brushes and even meat tenderisers are some of his preferred items to hand.

“I’ve got used to power” he says, talking of his tools, and, with a certain mix of both guilt and pride, “I abuse wood horribly”.

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Recently, Jeff was given some of the original timber from the Cutty Sark, and asked to make creatures that would have been found on and around the ship.

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The lovely Collie above is made from oak, and the collar made from the original hull planking. He is modelled on the dog kept by the aptly named Captain Woodget, who sailed the Cutty Sark during her most successful period of service in 1885. Captain Woodget sounds like a fascinating character, who Jeff tells me was known for his habit of roller skating on deck!

The powdery, matt black finish is achieved by painting with an iron solution, which creates a really natural looking colour that is actually created in the fibres of the wood, rather than sitting on top. This is painted or sprayed in. I love the effect.

This, other animals, and even a small automata of the ship, made from offcuts from a mixture of timbers, will be on display at the re-launch.

I asked him what inspires him to continue to work in wood in this way. He answered, “I don’t really know why I keep doing this..sometimes I just think, what’s the point, so what?” But then he tumbles into an excited run of sentences about this experiment and that, new techniques he has learned, new things that fascinate him, and it is obvious that this is still a love to him, these are not just run of the mill offerings..I think this is immediately evident in the objects themselves, which fizz with energy and life – this is true passion, and true, grown skill, from a real craftsman.

You can find Jeff’s website and blog here.

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Rupert Blanchard – Salvager, Designer, Maker

I’ve been following designer/maker Rupert Blanchard’s work since first seeing a cabinet of his at Elemental in London.

Rupert spends many of his days salvaging hundreds of drawers, doors, fittings and fixtures from second-hand furniture dealers, car boot sellers, market stall holders and waste clearance companies, before finding the right combination to construct a new piece of furniture. He works and lives in his London studio –  originally part of the Shoreditch Police Station, and more recently a furniture factory.

What I like particularly is the warm way that he describes the items that he finds and makes new homes for..

“I’ve collected cardboard boxes for many years now, nicely worn warm brown cardboard with bright graphic prints. mostly from dusty attic spaces via car boot sales, stuffed with unwanted possessions.”

I can relate in some small way to his collecting obsession. In my second year at art college I found myself filling an entire old wardrobe shelf with old matchboxes, just because I liked how they looked, and thought I may use them some day. I’ve collected old bike chains, cogs, and rusty metal in the same way.

But Rupert takes it to a whole new level..and makes such new beauty from these old things.

I have no idea where he keeps them all…

 “A small selection from my collection of over 300 boxes have made their way into the new furniture collection.” 

Where does a person store over 300 cardboard boxes??

Apart from simply loving the look, and admiring the artful way that Rupert has reconstructed each piece, the whole idea completely appeals to my romantic and nostalgic tendencies. It’s impossible not to let your mind run about when looking at these collections. Where have those drawers been, touched by whose hands? What made that mark, that scratch? Every drawer and tiny lock has its own story to tell. They are like little lost children, found a new home, and given a long hot bath and a new pair of shoes.

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The colours and shapes are well chosen too. I love the contrast between the handles here –  flat and thin, soft and round, and the long, lippy ones – mouths with an overbite. You get the feeling that this is a very considered collection, but it doesn’t feel too precious either. I’d love to see this kind of approach used on a larger scale, in a kitchen design for example.

“I select items that would often be disposed of without a second thought.  Every item has its own tale to tell as I prolong its history and preserve its future.”

Here Rupert makes use of vintage enamelled advertising signs, damaged and no longer appealing to collectors. I think of the streets these signs graced; the lives passing them by, the designs giving hints of their era. On the top sit reclaimed school laboratory work tops, refinished but still visibly used. Quietly holding a stolen moment in history. Who knows which bored or inspired student has leaned their arms on top of them, with their test tubes and bottles of acid..it could even have been me or you.

You get the feeling that these pieces have a little giggle to themselves every now and then when no-one is looking.

I can see why Rupert is compelled to make these things sing again.

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You can read and see more about him on his website –

www.stylingandsalvage.com.

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Smooth..soft curves to caress..

Contact Elin direct for commissions, via her site.

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RIchard is represented by by the Medici Gallery in Cork Street, London and also the McGill Duncan Gallery in Castle Douglas.

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Visit Sylphs site for more information about her work, and a list of stockists.

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I hope that you enjoyed this moment of quiet gazing!

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